‘Tulsa King’ Is An Allegory For America’s Blue State-To-Red State Migration

The continuing trend of mass domestic migration from blue states to red statesIn particular, wake of CovidThis has profoundly changed the source of economic growth from California and New York to Florida, Texas and other states. The majority of Americans don’t live in dense urban areas like Los Angeles or New York City anymore, but tend to their gardens in big suburban areas such as Atlanta, Houston, and Phoenix.

There are many commentators who speculate about the outcome. political shifts that result from this migration, there’s relatively little attention paid to the cultural shift that happens. This is because red states are becoming more diverse as well as more cosmopolitan and blue states are becoming less vibrant. It’s a great opportunity for exploring these themes. However, most screenwriters, storytellers, and filmmakers are not aware of it.

Except for a few, they will continue to present New York City, Los Angeles and sometimes San Francisco, Boston and Baltimore as the centers of the universe. Not surprisingly, this has led many American audiences to tune out, no longer seeing themselves in the characters on the screen — the woke messaging doesn’t help either.

This status quo is being challenged. “Yellowstone” Taylor Sheridan, creator of the newest TV series “Tulsa King,” This documentary examines the problem of American immigration and the culture clashes that follow. While there’s certainly some conflict, the message of the show is refreshingly optimistic and profound.

The story is about Dwight Manfredi, an elderly mafioso (played here by Sylvester Stallone), who escapes prison after serving a 25 year sentence. His crime family sends him to Tulsa as an exile and to seize an opportunity immediately after his release. Dwight, despite his reservations from the beginning, makes the most of the move and establishes himself in his new city as a crime lord.

The concept is great and the first episodes are a good example of this innovative twist on traditional crime drama tropes. The scene shifts from New York City’s shadowy streets populated by well-dressed elites to Oklahoma’s sunny prairies populated by casually-dressed ranchers, middle class suburbanites, and small town yokels. Dwight must adjust to the new environment. He also needs to learn how people communicate with each other after he has missed the internet and iPhone revolution while in prison.

Dwight’s cunning and luck allowed him to create a diverse team that works for him and fights against the biker gang currently occupying Tulsa. They are all of a common background, regardless of their racial and economic differences. They unite in a common purpose: to get what they want and not be under anyone’s thumb.

This idea is illustrated in Dwight and the other main characters. Tyson, his driver, hopes to escape the mediocrity which plagues young men his own age. His