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the bongino report

The Proud Family: Disney’s Attempt to Turn Your Kids Into Historically Ignorant Little Racists

During the Super Bowl on Sunday, the Walt Disney Company aired a commercial celebrating the company’s 100-year anniversary. Notably, it didn’t feature any of the company’s recently released, highly political and divisive content and instead highlighted the company’s seemingly nonpolitical and more unifying aspects. 

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Disney still produces divisive and political content. In today’s world, the once-great corporation that was widely admired in 1950s and 1960s has deliberately worked to encourage racism among our most innocent citizens, young children.

A recent production of Disney’s “The Proud Family” put forth yet another false narrative about our nation’s history — that only black slaves “built this nation” That blacks are today deserving reparations is a fact “for every moment we spend submerged in this systemic prejudice, racism, and white supremacy that America was founded with and still has not atoned for.” Illustration of this last point: The cartoon shows a picture showing a young black male with his palms raised and the words “Hands Up, Don’t Shoot” They are also written on them. 

The cartoon features predominately black girls angrily denouncing the Founding Fathers and, at one point, shows the presidential images on Mount Rushmore being replaced with the likes of Harriett Tubman, Nat Turner, and Frederick Douglass — the “real” They are the champions for freedom. Lincoln is deliberately ignored by the girls, they proclaim. “we can only free ourselves … emancipation was not freedom.” These outrageous charges are made without context. This exposes the cartoon as racist propaganda. 

Disney has certainly declined from the company that virtually every home was tuned in to watch in television’s formative years. In earlier times, Disney regularly featured wholesome, patriotic portrayals of America’s past that influenced generations of children. However, the company has worked hard to promote the leftist goal. “fundamentally change America.” 

One a>=”https://www.nationalreview.com/news/disney-executive-producer-admits-to-gay-agenda-adding-queerness-wherever-she-could/”>executive Produce The actress has confessed that she intentionally included gay-lifestyle themes within as many productions of her show as possible. Disney’s diversity and inclusion manager, Vivian Ware, Led the effort To avoid alienating transgender children, it is important to drop the terms ladies, gentlemen, and girls from its theme parks. 

The company has already posted or pulled warning labels for old customers movie favorites Such as “Dumbo,” “Peter Pan,” “Aristocats,” “Swiss Family Robinson,” And “Song of the South” They were deemed offensive to minorities. It sparked the conservative star of “Mandalorian,” Gina CaranoFor posting her criticisms on Republicans to a social networking site. Secretly recorded race theory trainings for Disney employees have blamed all whites on systemic racism and told them to never do it again “question or debate black colleagues’ lived experience.” 

Disney’s white employees were also asked to complete a “white privilege checklist” These qualifiers are “I am a man,” “I still identify as the gender I was born in,” And “I have never been raped.” Chris Rufo was right to assert that this was the case after he discovered it. “the Magic Kingdom is a house of lies” Because it used child and slave labor, filmed “Mulan” near China’s Uyghur concentration camps, and censored content for the Chinese Communist Party.

But it’s much worse than this. Disney’s latest attempt to fundamentally change America shows the company’s diabolical nature. “The Proud Family” episode deliberately distorts our nation’s history. It is completely ignored that slavery existed across all cultures. It is not mentioned that millions of white Europeans were enslaved by North African and Ottoman Muslims for more than 1,000 years. 

Intentionally, children are taught that black slaves are the only ones. “built this country.” Children are not informed that both Hinton Helper and Alexis de Tocqueville offered plenty of evidence that slavery — far from being responsible for all the nation’s wealth — actually retarded the South’s economic progress and development.

There is no mention of the exploitation of Irish immigrants in the nation’s coal mines and in the construction of our railroads and canals. The white farm girl who worked 13 hours a day in Lowell Mills, China, apparently, were the ones who were exploitation. “coolie” laborers who built the Central Pacific Railroad, the immigrant miners who worked 364 days a year in our mines, the striking workers who were machine-gunned in 1914 at Ludlow, Colorado, and countless other examples of exploited non-black victims who helped build this nation played no role in creating our nation’s prosperity.

We can’t forgive Disney for inflaming racial hate and violence that is currently gripping America. The cartoon’s attempt to reaffirm the lie surrounding the Michael Brown case by promoting the phrase “Hands Up, Don’t Shoot” Cartoon: Unpardonable 

Far from succeeding in its goal of indoctrinating America’s children to the necessity of imposing racial reparations on the nation, Disney has only succeeded in showing how its militant cartoon characters are ignorant of real history. Disney intentionally promotes the falsehood that black men are routinely shot down by police while trying to surrender with the cartoon’s “hands up” scene.

Meanwhile, the cartoon’s promotion of Nat Turner — a murderer who slew his master and his wife while they were sleeping in their bed at night and ordered their infant child to be slaughtered in his crib — is a sad commentary of what passes today as acceptable viewing for children. Disney’s producers apparently didn’t know that Turner’s men decapitated the infant in its crib and threw its body into the fireplace. The two other children were also beheaded later. Nor that almost all of Turner’s victims were defenseless, unarmed women and children. Disney says that Disney is right. This Is this the man to be depicted at Mount Rushmore? 

Let’s not give Disney the benefit of the doubt here. It has an array of historians and researchers who can warn it about its deliberate dissemination of falsehood and racial bias. These deliberate distortions of history and racial animus — far from bringing us closer together as a people — only serve to further divide us into ethnic and racial tribes. These lies lead to the assassination and rise in hate crimes racially motivated, as well as numerous business break-ins across the country. “oppressed” People seek the best. “reparations” They now believe they are entitled to it.

Disney should apologize for its promotion of a murderer of children to an audience of kids in the vague hope that we’ll somehow have better race relations in the future. 


The author is a social studies teacher, founder of Rho Kappa, the National Social Studies Honor Society, past president of the Florida Council for the Social Studies and former Elementary School Principal in the Year in Lee County. Contact him at [email protected]


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