Irish Tragic-Comedy ‘The Banshees Of Inisherin’ Echoes The Existential Angst Of U.S. Politics

“Some things there’s no moving on from. And I think that’s a good thing.”

So goes the final line of Colin Farrell’s Pádraic Súilleabháin in “The Banshees of Inisherin,” Martin McDonagh’s cinematic masterpiece, which was nominated for an Oscars Best Picture Award.

The famous Irish playwright — who previously was nominated for Academy Awards His films “In Bruges”  “Three Billboards Outside Ebbing, Missouri” — here finds himself in familiar territory with the setting, style, and subject matter centered around his native land and his original creative medium: a classical tragedy that is, alternately, side-splittingly funny and deeply reflective at times.

The film explores the broader nature of conflict and war, with its action directly paralleling the Irish Civil War that took place from 1922-1923 following the country’s independence from the United Kingdom. Unfortunately, the crown was removed from it, and the conflict began. The two sides were once allies but would continue to fight over the terms for an armistice.

The island of Inisherin, which is the actual location, is also noteworthy.“Irish island”() is based on the real and was shot in the actual Aran Islands off the country’s west coast, but McDonagh clearly establishes the bucolic backdrop as a microcosm for the entire country at large — with a quarrel between two local residents mimicking the brutal on-again, off-again fighting on the mainland.

This particular moment in Irish History may be a metaphor for looking at the universal questions being asked and how they relate to modern times. It is more pertinent than ever in the United States right now, where it feels like we are at the edge of another great civil war. Election Day The two sides seem to agree on one thing: the country’s soul is at stake.

McDonagh believes that the core of human conflict could be found in an existential angst stemming from the boredom of maintaining the status quo.

Editor’s note: film spoilers ahead.

The two main characters — portrayed by Farrell and his former “In Bruges” Brendan Gleeson (aka Brendan Gleeson), is the co-star Alastor “MadEye” Moody From the “Harry Potter” series) — find themselves suddenly at odds over their life’s ambition, with Gleeson’s discontented character cutting abruptly short his mate’s hours-long soliloquies at the local pub about what a pet donkey had recently digested.

The fight between Farrell’s Pádraic and Gleeson’s character, Colm, begins with a seemingly trivial act: the termination of a mismatched friendship wrought more from a shared set of circumstances than common personality traits, but ultimately spirals out of control.

The film has been described as a tragedy, and it fits the mold perfectly in the classic Greek tradition of koros (happiness), hubris (arrogance), ate (downfall), and nemesis (divine retribution or suffering).

There are times when all hope is not lost. The third act in this instance makes it interesting to see the seemingly mundane matter of what the donkey ate.