For The Sake Of Our Health, Keep The ‘Body Positivity’ Movement Away From ‘The Whale’

Charlie is the ideal person to live in. “The Whale.” There is no one who cares enough about their wellbeing. Neighbors should want anybody to live like its character Charlie, an obese English professor who’s resigned himself to the dark four corners of his apartment as an early casket.

Brendan Fraser plays Charlie in a performance that won him a Critics Choice Award. This is an extreme portrayal of where the country is heading, without any drastic changes to its course. Charlie, a man with a disability webcam, is seen in despair as he instructs online college students. In the second scene, Charlie is seen masturbating to homosexual porn and suffers a cardiac event. This means that the main character is presented as a recluse, drowning in cheap dopamine hits on a filthy sofa where his walker provides his only freedom, and it’s a painful one.

Charlie is saved only by the sudden appearance a missionary, who shows him a scene from “Moby Dick.”

Hollywood is trying to profit from the pro-fat era. “body positivity” movement, “The Whale” This is a shockingly unconventional choice. Based on an off-Broadway play, the movie is a masterpiece of an illustration of misery and is the most effective major motion picture to depict the horrors of severe obesity on screen since 1993’s “What’s Eating Gilbert Grape.”

Charlie, who had lost his partner in suicide by jumping from a bridge, decided to die by diet. He was also addicted to gluttony as a way to deal with his depression. While the main character was able to get temporary relief from his depression, the sugary carbs and sugary candy bars and chicken wings provided him with a life that would be difficult for anyone else.

Film critics have criticized the film for displaying the raw truths of severe obesity on the screen. They often minimize the risks and consequences of excessive weight.

“Some of the film’s critics believe it perpetuates tired tropes of fat people as suffering, chronically depressed and binge eating,” Time Magazine reported Last week.

The paper then highlighted since-deleted Tweets by Aubrey Gordon (a writer and podcaster) who had criticized the film for being fatphobic.

“If the only way you can ‘humanize’ a very fat person is to watch them humiliated, terrified, ashamed & killed off in a stereotypically stigmatizing way, it’s time to do some serious reflecting,” She wrote.

In December, New York Times writer Roxane Gay seemed to agree, with a column titled, “The Cruel Spectacle of ‘The Whale.’”

“Most audiences will see the spectacle of a 600-pound man unwilling to care for himself, grieving the loss of his partner who died by suicide, eager to die himself and using food as the means to that end,” Gay wrote. “The disdain the filmmakers seem to have for their protagonist is constant, inescapable. It’s infuriating.”

What’s truly infuriating, however, is the normalization of Charlie’s lifestyle in a