{"id":2340524,"date":"2024-09-13T06:22:02","date_gmt":"2024-09-13T10:22:02","guid":{"rendered":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/beetlejuice-beetlejuice-and-the-triumph-of-the-goth-washington-examiner\/"},"modified":"2024-09-13T06:31:22","modified_gmt":"2024-09-13T10:31:22","slug":"beetlejuice-beetlejuice-and-the-triumph-of-the-goth-washington-examiner","status":"publish","type":"post","link":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/beetlejuice-beetlejuice-and-the-triumph-of-the-goth-washington-examiner\/","title":{"rendered":"Beetlejuice Beetlejuice and the triumph of the goth &#8211; Washington Examiner"},"content":{"rendered":"<aside class=\"mashsb-container mashsb-main mashsb-stretched\"><div class=\"mashsb-box\"><div class=\"mashsb-count mash-medium\" style=\"&quot;\"><div class=\"counts mashsbcount\">22<\/div><span class=\"mashsb-sharetext\">SHARES<\/span><\/div><div class=\"mashsb-buttons\"><a class=\"mashicon-facebook mash-medium mash-nomargin mashsb-noshadow\" href=\"https:\/\/www.facebook.com\/sharer.php?u=https%3A%2F%2Fwww.conservativenewsdaily.net%2Fbreaking-news%2Fbeetlejuice-beetlejuice-and-the-triumph-of-the-goth-washington-examiner%2F\" target=\"_top\" rel=\"nofollow\"><span class=\"icon\"><\/span><span class=\"text\">Facebook<\/span><\/a><a class=\"mashicon-twitter mash-medium mash-nomargin mashsb-noshadow\" href=\"https:\/\/twitter.com\/intent\/tweet?text=&amp;url=https:\/\/www.conservativenewsdaily.net\/breaking-news\/?p=2340524&amp;via=ConservNewsDly\" target=\"_top\" rel=\"nofollow\"><span class=\"icon\"><\/span><span class=\"text\">Twitter<\/span><\/a><a class=\"mashicon-subscribe mash-medium mash-nomargin mashsb-noshadow\" href=\"#\" target=\"_top\" rel=\"nofollow\"><span class=\"icon\"><\/span><span class=\"text\">Subscribe<\/span><\/a><div class=\"onoffswitch2 mash-medium mashsb-noshadow\" style=\"display:none\"><\/div><\/div>\n            <\/div>\n                <div style=\"clear:both\"><\/div><\/aside>\n            <!-- Share buttons by mashshare.net - Version: 4.0.47--><p>The article discusses the cultural relevance of the film &#8220;Beetlejuice Beetlejuice,&#8221; \u200ca sequel to Tim Burton&#8217;s original movie, &#8220;Beetlejuice.&#8221; Unlike many reboots that fail to capture contemporary significance, the sequel \u200bresonates with today&#8217;s audience through its postmodern humor\u2062 and themes of goth culture, evident \u200din trends like &#8220;Stranger Things&#8221; and the prevalence of pumpkin-spice flavoring. The sequel revisits the character\u2064 Lydia Deetz, now portrayed by Winona Ryder as a middle-aged woman hosting a <a href=\"https:\/\/www.conservativenewsdaily.net\/breaking-news\/6-arrested-and-charged-for-changing-iconic-l-a-sign-to-read-hollyboob\/\" title=\"6 Arrested And Charged For Changing Iconic L.A. Sign To Read \u2018HOLLYBOOB\u2019\">reality show<\/a>. The new narrative offers a \u200dmore\u2063 active role for Lydia, exploring themes of\u200d loss and existential gloom after her father&#8217;s death.<\/p>\n<p>Returning characters and \u2064actors,\u2062 such as Michael Keaton as Beetlejuice and Catherine O&#8217;Hara, are\u200b highlighted, with \u200bKeaton maintaining his chaotic charm. \u200cThe film\u2064 juxtaposes Lydia&#8217;s grief with \u200bcomedic elements, blending humor and the supernatural as she seeks \u2063Beetlejuice&#8217;s help to navigate her daughter&#8217;s encounters with the <a href=\"https:\/\/www.conservativenewsdaily.net\/breaking-news\/former-disney-star-embarks-on-spiritual-journey-discovering-witchcraft-in-new-movie\/\" title=\"Former Disney Star Embarks On \u2018Spiritual Journey\u2019 Discovering Witchcraft In New Movie\">spirit world<\/a>. The article asserts that despite the film&#8217;s comedic undertones, it addresses real emotional struggles, effectively revitalizing the original\u2019s charm while appealing to\u200b both nostalgic fans and new audiences. it portrays &#8220;Beetlejuice Beetlejuice&#8221; as a culturally significant sequel that successfully honors the legacy of its\u200c predecessor.  <\/p>\n<p class=\"readmore\">\n    <button onclick=\"showReadMore()\" id=\"readmorebtn\">Read more&#8230;<\/button>\n<\/p>\n<hr id=\"line\">\n<span id=\"more\"><\/p>\n<p><?xml encoding=\"utf-8\" ?><?xml encoding=\"utf-8\" ?><?xml encoding=\"utf-8\" ?><?xml encoding=\"utf-8\" ?><?xml encoding=\"utf-8\" ?><?xml encoding=\"utf-8\" ?><\/p>\n<div class=\"tdb-block-inner td-fix-index\"><span class=\"tdb-mobile-menu-button\"><i class=\"tdb-mobile-menu-icon td-icon-mobile\"><\/i><\/span><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><span class=\"tdb-header-search-button-mob dropdown-toggle\" data-toggle=\"dropdown\"><i class=\"tdb-mobile-search-icon td-icon-search\"><\/i><\/span><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><span class=\"tdb-mobile-menu-button\"><i class=\"tdb-mobile-menu-icon td-icon-mobile\"><\/i><\/span><\/div>\n<div class=\"tdb-block-inner td-fix-index\">\n<div class=\"tdb-drop-down-search\" aria-labelledby=\"td-header-search-button\">\n<div class=\"tdb-drop-down-search-inner\">\n<form method=\"get\" class=\"tdb-search-form\" action=\"https:\/\/www.washingtonexaminer.com\/\"><\/form>\n<div class=\"tdb-aj-search\"><\/div>\n<\/div>\n<\/div>\n<p><a href=\"http:\/\/www.washingtonexaminer.com\/#\" role=\"button\" aria-label=\"Search\" class=\"tdb-head-search-btn dropdown-toggle\" data-toggle=\"dropdown\"><i class=\"tdb-search-icon td-icon-search\"><\/i><\/a><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><\/div>\n<div class=\"tdb-block-inner td-fix-index\">\n<div class=\"tdb-sacff-txt\">Magazine &#8211; Life &amp; Arts <\/div>\n<\/div>\n<div class=\"tdb-block-inner td-fix-index\">\n<h1 class=\"tdb-title-text\">Beetlejuice Beetlejuice and the triumph of the goth<\/h1>\n<div><\/div>\n<div class=\"tdb-title-line\"><\/div>\n<\/div>\n<div class=\"tdb-block-inner td-fix-index\"><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><\/div>\n<div class=\"tdb-block-inner td-fix-index\">\n<p>The simple fact that an <a href=\"https:\/\/www.washingtonexaminer.com\/tag\/movies\/\" target=\"_blank\" rel=\"noopener\" title>old movie<\/a> is beloved, fondly remembered, or the object of cult fascination does not necessarily mean it has lasting cultural currency. After all, we live among a tidal wave of so-called content that recycles the cinematic highlights and lowlights of the 1980s, but so many of these reboots and rehashes cease to have meaning in a contemporary context. For example, the original <em>Ghostbusters<\/em>, from 1984, was a peppy brief on behalf of the <a href=\"https:\/\/www.washingtonexaminer.com\/tag\/ronald-reagan\/\" target=\"_blank\" rel=\"noopener\" title>Reagan-era<\/a> pro-capitalist, anti-regulatory ethos, but the new films in the franchise have been stripped of this <a href=\"https:\/\/www.washingtonexaminer.com\/tag\/dna\/\" target=\"_blank\" rel=\"noopener\" title>DNA<\/a>: They are, merely, exercises in sentimental nostalgia.&nbsp;<\/p>\n<div class=\"article-paywall\">\n<p>Yet Tim Burton&rsquo;s schizoid netherworld farce <em><a href=\"https:\/\/www.washingtonexaminer.com\/news\/2447054\/boebert-struggling-to-shake-beetlejuice-debacle-as-tight-race-appears-closer-than-ever\/\" target=\"_blank\" rel=\"noopener\" title>Beetlejuice<\/a><\/em>  is that &rsquo;80s-era<a href=\"https:\/\/www.washingtonexaminer.com\/tag\/entertainment\/\" target=\"_blank\" rel=\"noopener\" title> entertainment<\/a> that was certainly sharp and shapely in its own time but looks downright tailor-made for ours. The film&rsquo;s arch, postmodern, non-sequitur-dependent sense of humor is essentially the default style of most modern screen <a href=\"https:\/\/www.washingtonexaminer.com\/tag\/comedy\/\" target=\"_blank\" rel=\"noopener\" title>comedy<\/a>, and its indulgence in an amalgamation of autumnal devilry and occult mysticism is reflected in everything from the popularity of <a href=\"https:\/\/www.washingtonexaminer.com\/tag\/netflix\/\" target=\"_blank\" rel=\"noopener\" title>Netflix&rsquo;<\/a>s <em>Stranger Things<\/em> to the ubiquity of pumpkin-spice seasoning. Want to bet that most audiences are more familiar with the<em> Handbook for the Recently Deceased<\/em> than the Psalms?<\/p>\n<figure class=\"wp-block-image size-full is-resized\"><figcaption class=\"wp-element-caption\">Michael Keaton in Beetlejuice Beetlejuice. (Parisa Taghizadeh\/Warner Bros)<\/figcaption><\/figure>\n<p>This is not an inspiring or edifying state of affairs, but, on the plus side, it gives the new sequel to the film some claim to legitimacy. They say that history is written by the winners, and the existence of <em>Beetlejuice Beetlejuice<\/em> proves that sequels are made by the winners, too: This is a film that takes for granted its predecessor&rsquo;s immense influence on <a href=\"https:\/\/www.conservativenewsdaily.net\/breaking-news\/ca-gender-prof-covid-revealed-the-tragedy-of-heterosexuality\/\" title=\"CA Gender Prof: COVID Revealed The \u2018Tragedy Of Heterosexuality\u2019\">pop culture<\/a> and, in fact, folds said influence into its very premise: Having kind of, sort of recovered from her interaction with Michael Keaton&rsquo;s Beetlejuice, the doleful goth-lite adolescent Lydia Deetz has become the doleful goth-lite 50-something Lydia Deetz (Winona Ryder), the host of, and chief psychic on, a <a href=\"https:\/\/www.washingtonexaminer.com\/tag\/reality-tv\/\" target=\"_blank\" rel=\"noopener\" title>reality TV<\/a> series called <em>Ghost House <\/em>&mdash; a superbly sly parody of the panoply of supernatural investigative shows that populate the likes of the Travel Channel most weeknights. &ldquo;I don&rsquo;t know what I&rsquo;m going to find behind this door,&rdquo; Ryder says in her character&rsquo;s signature unhappy mutter.&nbsp;<\/p>\n<p>In the first <em>Beetlejuice<\/em>, Ryder&rsquo;s Deetz was simply the wittiest performer in a rich cast of oddballs that included Alec Baldwin, Geena Davis, and Catherine O&rsquo;Hara. But, besides Ryder and Keaton, only O&rsquo;Hara logs a return appearance, which leaves Ryder with essentially the starring, if not the title, role. This change in focus means that Deetz must become active, or at least acted upon, in the drama: In the earlier film, the character&rsquo;s grimness was presented as an amusing affectation. But in <em>Beetlejuice Beetlejuice<\/em>, she is given ample reasons to be distressed: Lydia&rsquo;s father Charles has lost his life to the jaws of a shark in an episode depicted entirely in amusing but twee stop-motion animation. (The film is a bit too eager to prove its lack of reliance on computer-generated effects.)<\/p>\n<p>Predictably, Charles&rsquo;s demise is greeted as an occasion for art-making by Lydia&rsquo;s self-styled artiste stepmother Delia (O&rsquo;Hara), and as confirmation of life&rsquo;s essential meaninglessness by Lydia&rsquo;s daughter Astrid (Jenna Ortega), who shares her mother&rsquo;s glumness but declines to channel it into the supernatural. Providing Lydia with an excuse for her sour disposition, beyond teenage moodiness, diminishes the character&rsquo;s comic power, but credit screenwriters Alfred Gough and Miles Millar for at least creating a semi-plausible pretext for the return of Keaton&rsquo;s unruly demon Beetlejuice: Upon Charles&rsquo;s death, Lydia and Astrid decamp to the same ghastly renovated house in Vermont that was the site of the original materialization of the undead Beetlejuice, who, then and now, is a poorly groomed, shabbily dressed &ldquo;<a href=\"https:\/\/www.conservativenewsdaily.net\/breaking-news\/monstrous-anticipation-beetlejuice-beetlejuice-is-tracking-for-a-huge-box-office-debut\/\" title=\"Monstrous Anticipation: &#039;Beetlejuice Beetlejuice&#039; Is Tracking for a Huge Box Office Debut\">bio-exorcist&#038;rdquo<\/a>; mandated with scaring the wits out of the living.&nbsp;<\/p>\n<p>Ostensibly, Beetlejuice seeks Lydia&rsquo;s company anew while in flight from a past paramour-turned-&ldquo;soul-sucker&rdquo; (Monica Bellucci), while Lydia seeks Beetlejuice&rsquo;s assistance in extricating Astrid from a dangerous dalliance with the spirit world courtesy of a nefarious ghost, Jeremy (Arthur Conti).&nbsp;<\/p>\n<p>Somehow, this mutual dependency results in planned nuptials between Beetlejuice and Lydia &mdash; the same bizarre denouement as the earlier movie. Despite the elaborate setup, though, the character has always served essentially the same function as Groucho Marx in the classic Marx Brothers comedies of the 1930s: not to advance any perceptible plot or embody any particular theme, but to destabilize, sabotage, and otherwise undermine the action.&nbsp;<\/p>\n<p>Frankly, it is impossible to play even a funny scene straight opposite Keaton, who effortlessly summons the same growling voice, snarling countenance, and anarchic disposition he had in the first movie. Even in the netherworld in which he operates, Beetlejuice is the most high-spirited of spirits: a shameless narcissist and eager double-dealer who is infinitely more engaging than the other ghouls roaming an afterlife that, in Burton&rsquo;s conception, is essentially a bureaucratic quagmire. (Representative of the dullness of the undead is a Drano-guzzling janitor played by Danny DeVito.)<\/p>\n<p>All of this works pretty well. Keaton performs with the same gleeful hamminess he exhibited in the first film, which was made prior to his turn as Batman and brush with international stardom. Among the other veterans, Ryder plausibly incarnates a mature version of Lydia, and O&rsquo;Hara credibly suggests an unchanged version of the conceited Delia. As the latest in a long line of young actresses whose shtick is to act as drolly unimpressed as possible &mdash; including Christina Ricci, Selena Gomez, and, once, Ryder herself &mdash; Ortega acquits herself nicely. Justin Theroux, as Lydia&rsquo;s touchy-feely manager and frustrated suitor, generally gets the best lines: &ldquo;If you ever need to process any emotions, I&rsquo;m here for you,&rdquo; he tells Astrid as she mourns her grandfather.<\/p>\n<p>It would be fair to say that Burton orchestrates the proceedings with an eye to pleasing fans of the earlier film &mdash; at Charles&rsquo;s funeral, &ldquo;Day-O (Banana Boat Song)&rdquo; is rather gratuitously performed by a choir &mdash; but that would be to understate his artistic integrity, such as it is: From <em>Edward Scissorhands <\/em>to <em>Ed Wood<\/em>, from <em>Sleepy Hollow <\/em>to the <em>Beetlejuice <\/em>series, few filmmakers in modern times have ever seemed so single-mindedly committed to a single aesthetic as Burton. Even here, his style must be seen as a form of personal expression rather than fan service: Burton seems genuinely to thrill to ghoulish sights, including skeletonized office workers answering phones and, most morosely, an infant variant of the title character who emerges at opportune times, including a sendup of the ending of <em>Carrie<\/em>. His inspiration only flags when, in one scene too many, he has his decomposing character lip-synch to pop love songs &mdash; as though demons singing sappily is a surefire source of humor.<\/p>\n<p>All the same, something faintly depressing hangs over <em>Beetlejuice Beetlejuice. <\/em>It is not that the film is outdated but that it remains so in tune with the times. The reviews have been kind, and the <a href=\"https:\/\/www.conservativenewsdaily.net\/breaking-news\/china-hopes-sequel-to-anti-u-s-korean-war-propaganda-blockbuster-will-smash-theaters\/\" title=\"China Hopes Sequel to Anti-U.S. Korean War Propaganda Blockbuster Will &#039;Smash Theaters&#039;\">box-office returns<\/a>, for non-comic book fare, are sensational. The enduring popularity of this character and this world represents something like the triumph of the goth. Demons, dismembered bodies, guts spilling out of torsos, a deceased character being fed on by fish, and even parents killed by a disgruntled teenager &mdash; it&rsquo;s all played for laughs. Audiences are laughing &mdash; some in the theater I saw the movie even seemed dressed vaguely like Lydia or Astrid &mdash; but others may choose to see the continuing <em>Beetlejuice<\/em>-ization of American society as a cause for mild worry rather than harmless guffaws. This is less a sequel than evidence of a cultural conquest. This is Beetlejuice&rsquo;s world. We just live (or die) in it.<\/p>\n<p><strong><a href=\"https:\/\/www.washingtonexaminer.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/strong><\/p>\n<p><em>Peter Tonguette is a contributing writer to the <\/em>Washington Examiner <em>magazine.<\/em><\/p>\n<\/div><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><\/div>\n<div class=\"tdb-block-inner td-fix-index\"><\/div>\n<p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>**Magazine &#8211; Life &amp; Arts: Beetlejuice and the Rise of Goth Culture**<\/p>\n<p>Just because an older film is cherished, nostalgically recalled, or has a cult following doesn&#8217;t guarantee it holds enduring cultural significance. We are inundated with content that revisits the cinematic highs and lows of the 1980s, yet many of these remakes lack relevance in today&#8217;s context. Take the original *Ghostbusters* from 1984; it was a lively endorsement of Reagan-era capitalism and anti-regulation sentiments, but recent installments have lost that essence, becoming mere exercises in nostalgia.<\/p>\n<p>In contrast, Tim Burton&#8217;s quirky dark comedy *Beetlejuice* stands out as an &#8217;80s classic that feels particularly relevant today. Its sharp postmodern humor has become a staple in contemporary comedy, while its blend of autumnal mischief and occult themes resonates with current trends seen in shows like Netflix&#8217;s *Stranger Things* and the popularity of pumpkin spice flavors. It&#8217;s likely that many viewers are more familiar with the &#8220;Handbook for the Recently Deceased&#8221; than traditional religious texts.<\/p>\n<p>This situation may not be particularly uplifting or enlightening; however, it does lend some legitimacy to the new sequel. The saying goes that history is written by victors\u2014similarly, sequels are crafted by those who succeed: this film acknowledges its predecessor&#8217;s significant impact on pop culture and weaves it into its storyline. Lydia Deetz (Winona Ryder), having somewhat recovered from her past encounters with Beetlejuice (Michael Keaton), is now a middle-aged goth hosting a reality TV show called *Ghost House*, which cleverly parodies numerous supernatural investigation programs.<\/p>\n<p>In the original film, Ryder\u2019s character was one among many eccentric personalities alongside Alec Baldwin and Geena Davis. Now she takes center stage alongside Keaton and returning cast member Catherine O&#8217;Hara as Delia Deetz. This shift means Lydia must engage actively within her narrative rather than merely embodying an amusingly grim persona; her character faces genuine distress after her father dies in a comical stop-motion sequence involving sharks\u2014a choice reflecting an eagerness to avoid CGI effects.<\/p>\n<p>Lydia\u2019s father\u2019s death becomes fodder for artistic expression for Delia while reinforcing life\u2019s absurdity for Lydia\u2019s daughter Astrid (Jenna Ortega). While this backstory provides context for Lydia&#8217;s melancholy demeanor beyond typical teenage angst\u2014diminishing some comedic potential\u2014it also sets up Beetlejuice&#8217;s return when they move back into his old haunt in Vermont after Charles&#8217; passing.<\/p>\n<p>The plot unfolds as Beetlejuice seeks companionship while evading his former lover-turned-soul-sucker (Monica Bellucci), while Lydia enlists his help to rescue Astrid from a malevolent ghost named Jeremy (Arthur Conti). Their interdependence leads to plans for marriage between Beetlejuice and Lydia\u2014a bizarre conclusion reminiscent of their previous escapades.<\/p>\n<p>Despite this elaborate setup, Beetlejuice primarily serves as comic relief akin to Groucho Marx in classic comedies\u2014not driving any particular plot forward but instead disrupting events around him. Keaton effortlessly reprises his role with infectious energy; even amidst chaos he remains vibrant compared to other spirits inhabiting Burton&#8217;s bureaucratic vision of an afterlife filled with mundane undead characters like Danny DeVito\u2019s janitor.<\/p>\n<p>Overall, Keaton delivers another delightfully over-the-top performance reminiscent of his earlier work before achieving global fame through roles like Batman. Ryder convincingly portrays an evolved version of Lydia while O&#8217;Hara maintains continuity as Delia. Ortega fits well into this lineage of young actresses known for their deadpan delivery alongside icons like Christina Ricci or Selena Gomez.<\/p>\n<p>Burton seems intent on catering to fans nostalgic for earlier films\u2014evidenced by moments such as choir renditions during Charles\u2019 funeral\u2014but he also expresses personal artistry through ghoulish imagery throughout various scenes featuring skeletons answering phones or even depicting infant versions of characters at pivotal moments reminiscent of horror classics like *Carrie*. However, some attempts at humor fall flat when decomposing characters lip-sync pop love songs too frequently\u2014as if demons singing sentimental tunes guarantees laughter.<\/p>\n<p>Yet there lingers something slightly disheartening about *Beetlejuice*. It isn&#8217;t outdated per se but rather aligns closely with contemporary sensibilities\u2014the reviews have been positive along with impressive box office returns outside superhero genres indicating ongoing interest surrounding these themes rooted deeply within goth culture: demons dismembered bodies portrayed humorously alongside morbid scenarios involving teenagers wreaking havoc on parents\u2014all eliciting laughter from audiences who might even dress similarly inspired by characters like Lydia or Astrid themselves!<\/p>\n<p>While many find joy within this continued exploration into darkness represented through films such as these others may view what could be termed \u201cthe ongoing beetlejuicization\u201d permeating American society more critically than simply humorous entertainment value alone suggesting deeper implications regarding cultural acceptance towards macabre elements prevalent today ultimately showcasing how much influence such narratives hold over our collective psyche moving forward! <\/p>\n<p>Peter Tonguette contributes regularly to Washington Examiner magazine<\/p>\n","protected":false},"author":2691,"featured_media":2340525,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","fifu_image_url":"https:\/\/www.washingtonexaminer.com\/wp-content\/uploads\/2024\/09\/LA.film-0918.webp","fifu_image_alt":"","footnotes":""},"categories":[538],"tags":[19374,40803,32076],"class_list":["post-2340524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-washington-examiner","tag-beetlejuice","tag-goth-culture","tag-washington-examiner"],"fifu_image_url":"https:\/\/www.washingtonexaminer.com\/wp-content\/uploads\/2024\/09\/LA.film-0918.webp","_links":{"self":[{"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/posts\/2340524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/users\/2691"}],"replies":[{"embeddable":true,"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/comments?post=2340524"}],"version-history":[{"count":0,"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/posts\/2340524\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/media\/2340525"}],"wp:attachment":[{"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/media?parent=2340524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/categories?post=2340524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.conservativenewsdaily.net\/breaking-news\/wp-json\/wp\/v2\/tags?post=2340524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}