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Aquaman’ sequel struggles at box office, ‘Wonka’ emerges victorious

The Aquaman Sequel Struggles as “Wonka” Dominates the Box Office

The highly anticipated sequel ⁣to “Aquaman” is facing challenges at ‍the box ‍office, while Warner ⁢Bros.’ “Wonka” continues to⁢ dominate not only the Christmas season⁢ but also the New Year weekend.

“Aquaman and the Lost Kingdom” has earned $81.8 million as of New Year’s Day, a far cry from the original film’s $215.4 million during the same time period in 2018. ​The Hollywood Reporter noted that the ⁣first film ⁢went on to make $1.2 billion globally.

Since its release on December 22, the Jason Momoa-led superhero film has⁣ fallen short of expectations, earning only $27 million over the Christmas weekend and⁤ an additional $23.5 ⁤million over the four-day New Year ‍weekend.

However, the ⁢movie seems to be performing⁣ slightly better overseas, with a‍ total of $173.6 million as‌ of Monday, according to Box Office Mojo.

Meanwhile, the clear winner of both holiday weekends is the ⁤Timothée Chalamet-led film, “Wonka,” which tells the backstory of​ the beloved fictional chocolatier ⁢Willy Wonka. This latest remake, based on Roald ⁤Dahl’s 1964 novel “Charlie ⁢and the Chocolate Factory,” follows ‍in the footsteps of the 1971 adaptation “Willy Wonka & the​ Chocolate Factory” and ‍the 2005 remake ​directed by‌ Tim‌ Burton.

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Following the long Christmas weekend, “Wonka” brought in an impressive $102.5 million domestically, according to Variety. The film continued to perform well, earning an additional $29.5 ​million at ⁣the domestic box​ office after New Year’s Day,⁤ bringing its total to⁣ $140.2 million as​ of Monday.

Warner Bros. also released another ‌film over the ‌holiday season, the Broadway musical adaptation of Alice Walker’s novel “The Color Purple.” Despite having less time in theaters since its December 25 release, the film has managed to accumulate $47.2 million ‌domestically.

However, it’s worth noting that the box office numbers for these top⁢ movies pale in ‍comparison ‌to previous years, as Deadline magazine pointed out. In 2021, “Spider-Man: No Way Home” and “Avatar: The Way of the Water” in 2022 both surpassed $30⁤ million in⁢ a single day ⁢after Christmas.

Related:⁤ ‘Aquaman’ Sequel Has Disappointing Christmas Opening, Bringing ⁣In Just $40M

Will “Aquaman and the Lost Kingdom” be able‌ to overcome its sluggish start and find​ success in the ‍coming weeks, or will ⁤it continue‌ to struggle against​ the competition

January 3, 2023

The underwhelming⁢ performance ​of “Aquaman ⁢and the Lost Kingdom” at the⁣ box office has caught the attention of movie enthusiasts and industry insiders alike. Despite being one of the most anticipated sequels in recent years, the film has failed to replicate the success of its predecessor.

In contrast, ‌Warner‍ Bros.’ latest release, “Wonka,” has emerged as the reigning champion of the box office⁤ not only during the Christmas season but also over‌ the New Year weekend. The film, which delves into ‌the origins⁣ of‌ the beloved chocolate factory owner, has captivated⁣ audiences and ‍overshadowed “Aquaman and the Lost ⁣Kingdom” at the ticket counters.

The stark contrast in box office performance between the two films raises‍ questions about the factors⁤ that contributed to⁣ “Aquaman” struggling while “Wonka” flourished.⁣ One possible ⁢explanation is⁤ the element of novelty surrounding “Wonka,” which offers a fresh take ⁤on a beloved ‌character. ​The⁣ allure of learning the backstory of such an iconic figure seems to have resonated strongly with audiences, resulting in strong ticket sales.

On the other⁢ hand, “Aquaman⁢ and the Lost Kingdom” faces the challenge of living up to the massive success of its predecessor. The first “Aquaman”⁤ film was a global phenomenon, grossing an impressive ‌$1.2​ billion worldwide after its release in ‍2018. The sequel inevitably carries the weight​ of high expectations and the burden of meeting or surpassing the previous⁤ film’s​ accomplishments.

Another contributing factor ⁤to the uneven⁤ box office performance could be the release date. “Aquaman and the Lost Kingdom” ⁢was released on December 22, amidst ‌stiff competition from other holiday ‍releases. This crowded market may have diluted⁤ its potential audience and led to a weaker showing at the​ box office.

While the ‌domestic box‍ office figures paint a disappointing ‍picture⁤ for “Aquaman and ⁤the Lost Kingdom,” there is a glimmer of hope in its international performance. ‍The film has seen better success overseas, with a reported total of $173.6 million‍ as‍ of Monday, illustrating that the underwater superhero still has a dedicated fan base outside of the United States.

As the discussion surrounding ‍the box office performance of “Aquaman and the Lost ​Kingdom” continues, it‌ begs the question ‍of how ‌the film will fare in the coming weeks. Will it be able ‍to‌ overcome its sluggish start and find⁣ its footing, or ⁢will it continue ‌to struggle against ​the competition? ⁤Only time ⁤will tell.

Amidst this struggle, “Wonka” stands ⁢tall as a testament to the ​power of a fresh‌ take on a ⁣beloved character. The success of the ‍film reaffirms the notion that audiences are hungry for new ⁤and unique storytelling, even when​ it comes to ⁤well-known characters.

In the ‍world of cinema, box ⁣office performance is often considered a ⁢measure of success, and the​ struggle⁢ faced by “Aquaman and the Lost Kingdom” ​presents an opportunity for reflection and ⁣analysis. It serves as a reminder that⁣ even the most highly‍ anticipated sequels can face challenges, and that the ever-evolving tastes of audiences are not ‌always predictable.

Ultimately, the success or ⁤failure⁣ of a film at the box office should not solely define its merit. Whether a film strikes a chord with ⁢audiences or not, it is a‌ testament to the ​art‍ of storytelling and the passion of those involved ‌in⁣ its creation. As‌ we continue to follow the journey of “Aquaman and the Lost Kingdom,” we are ⁣reminded of the unpredictable nature of the film industry and the ⁤enduring allure of the silver screen.



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